We open on a nude and unconscious young woman (8/10 would bang) with unnaturally red hair laying on the floor of a jail cell. Soon, she wakes and wonders, how did she get here? She opens a locker and finds a frilly dress in red and black with a post-it note that says “Wear Me.” After some more butt shots of her screwing around in the cell (I’m not complaining), an alarm goes off and the cell door unlocks. Realizing she’s still nekkid, she decides she should probably heed the post-it note and put on the dress (sad face).
As she explores what seems to be an abandoned prison, she finds a whiny dude in another cell. We learn that, while neither of them know why they’re there, the whiny guy remembers things from before, but the girl doesn’t remember anything, even her own name. We’ll call her Red.
Soon, another alarm goes off, indicating a door has been unlocked, but it’s not the one to Whiny’s cell. Red goes to investigate, and finds that a creepy killer clown with a history of child murder has been released from his cell and is very interested in seeing Red’s insides. In very short order, Cleaver the Clown has Red pinned down and is about to start hacking away, when he is stabbed in the back by Whiny. Red and Whiny team up and start trying to find a way out. They soon find other unsavory denizens, each locked in their own cell and waiting to be released. But which are the hunters, and which are the hunted?
This was a well-made low-budget romp with above-average acting (thanks, British thespians!) There were a few missteps and questionable decisions in some of the confrontations with the baddies, but nothing that can’t be forgiven. Photography and gore effects were quite good, each character was given enough of a backstory to make them interesting, and Red has a nice ass. While the plot had a somewhat paint-by-numbers feel to it, there were a few twists (some more successful than others) along the way, and the baddies were entertainingly comic bookish. Overall, it’s probably worth a watch.